Pianist don’t neglect their great composers, Liszt and Chopin in recitals – but the violinists have somehow pushed the best repertoire for the instrument onto the back burner and I dont understand the reasons for it. However, we have assembled the next best thing A collection of lines, phrases and words that you can use to slot in to any Emcee Script We have also provided links to several other. I feel this cannot be just resigned to an encore – the music of Wieniawski or Henri Vieuxtemps deserves to be put on the programme. CU BOULDER COLLEGE OF MUSIC STUDENT/GUEST RECITAL PROGRAM TEMPLATE GUIDE PROGRAM LISTING: EXAMPLE, STUDENT RECITAL Program Here I Stand from The Rake’s Progress Igor Stravinsky (1882-1971) Brief pause Sonata for Violin and Piano in A Major (1886) César Franck I. Each and every event you do as an Emcee will be different, so it’s impossible to give an actual Emcee Script that you can use for every occasion. I feel it’s unfortunate that we have chosen to neglect the great music written expressly for the violin. For example when Vladimir Horowitz was doing a recital, it didn’t matter if he played Rachmaninoff, Chopin or Scriabin Sonatas, people couldn’t wait for him to play his version of the ‘Stars and Stripes Forever’ – because that was the thing they went home singing.
This item is part of a library of books, audio, video, and other materials from and about India is curated and maintained by Public Resource. Recitals used to be very popular 50 or 60 years ago because of the show pieces that were actually played – not so much for the major work on the program. People couldn’t wait to hear the virtuoso repertoire. Bits Per Sample: s16p: Sampling Frequency: 48 KHz: Data Rate: 128.001000 Kbit/s: Duration: 0:31:23.448000: Number Of Channels: 2: Size : 28.739502 Mibyte: Notes. I used to talk about this with Nathan Milstein, and he would laugh and in simple words say: ‘They don’t know the music!’ The programming I find today is often quit boring for the audiences.
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